Miriam

The Dead Sea Scrolls elaborate on Miriam’s leadership role and personal history.

Were they racists?

In the Torah, Aaron, Miriam, and Moses are siblings; Aaron is the biological ancestor of all priests, Moses is the redeemer of Israel from Egypt, and Miriam, their sister, leads the Israelite women in song. But what can we reconstruct about who these ancient figures may have been?

Miriam and the Israelite women echo briefly the famous Song of the Sea sung earlier in Exodus 15… or do they? A closer examination reveals a more prominent role for Miriam and provides information about women as musical performers using song, dance, and drums in ancient Israel.

Who were the midwives who risked their lives to save male Hebrew babies—Israelites or Egyptians? A text discovered at the Cairo Genizah sheds new light on this exegetical conundrum.

In biblical tradition, Miriam is known as Moses’ sister. Critical analysis reveals more about this ancient and once independent leader. 

The significance—or lack thereof—of family pedigree in matters of individual excellence and righteousness.

The biblical portrait of Miriam can leave the modern reader with a lingering bitterness, but a closer reading highlights her prophetic role, and her willingness to challenge the social norms and pursue an alternative, redemptive course.

The Bible pays little attention to the death of its female characters, writing only cursory death notices, or sometimes none at all. Second Temple period authors retell the Torah’s stories to give more pride of place to the death scenes of its heroines.

Ancient interpreters debated the identity of Moses’ Kushite wife and the nature of Miriam and Aaron’s complaint. Philo allegorizes her as an eye’s perfect focus, reflecting Moses’ direct perception of God. Reading this together with Philo’s allegorical understanding of Zipporah as a “bird” with direct access to heaven highlights the greatness of Moses’ wife as the fourth matriarch of Israel.